Perhaps you need to add something real to your portfolio, like, perhaps wedding photography for company A/B or some testimonies from your so-called clients during freelance.ThuyChi wrote:@v4jr4: I've sent it to Malaysia, the Philipines, Aus and NZ. No replynsp far. And I'm Vietnamese, my passport is green - I guess I do have a better chance in Vietnam :/
So... I am not in the graphics business... I do not buy graphics productions... and... at one point in my life I wrote 3D graphics programs... polygon rendering and ray tracing... so I know how this works. And, while I am a 1000 miles away from being an expert, I have created my own simple animations in Blender. I know the difficulty in creating realism in 3D.ThuyChi wrote:@SE: I bring a DVD with my portfolio to every interview. And for every single interview I have gone to, the interviewers spent a good 10 mins to half an hour looking at my work. I get complimented. And then I get "we'll contact you later" (and never heard from them ever again). That is how my interviews went... In your opinion, is my work any good? Or is it so-so? bad?
@v4jr4: I've sent it to Malaysia, the Philipines, Aus and NZ. No replynsp far. And I'm Vietnamese, my passport is green - I guess I do have a better chance in Vietnam :/
Honestly, if I could do that here to get a chance to become an editor, I'll take it. My problem comes with the visa thingzzm9980 wrote:I used to work in a small boutique post-production house that did film editing. We had a few locations in US and Europe. In this shop (and numerous like it), everyone pretty much started at the *very* bottom as runners. Basically cleaning studios, picking up and serving lunch, etc. to the clients. Pay was crap, we're talking $7/hour in Manhattan and Chicago less than 10 years ago. These people did this job just for the *chance* of helping the assistant editors out after their normal 8-hour with mundane tasks like digitizing video and sorting beta tapes. Those that persevered, made a lot of friends, and had a good personality, would eventually be hired as an assistant (also grossly underpaid, but they were at least at 30-40k/year). Three to five years at that, if you had talent, you might become an editor. If you didn't, you were stuck.
This anecdote likely isn't perfectly relevant in Singapore, but if that was the pay in NYC, London, LA, Chicago, etc. I can't imagine how bad it would be here. Now, this was a highly creative place, they win dozens of awards at Cannes every year, edit a sizable portion of the commercials Americans see during the Super Bowl, etc. So such a creative place also just may not exist here either.
if you haven't found anything promising .. PM me .. I could refer you to a local production house .. though I don't know how it may transpire with your nationality ..ThuyChi wrote: ... Honestly, if I could do that here to get a chance to become an editor, I'll take it. My problem comes with the visa thing
If you have a work visa for the US, UK, or Netherlands, and the means to relocate yourself to one of those locales, then PM me and I can see what I can do. Unfortunately, can't help much else otherwiseThuyChi wrote:Honestly, if I could do that here to get a chance to become an editor, I'll take it. My problem comes with the visa thingzzm9980 wrote:I used to work in a small boutique post-production house that did film editing. We had a few locations in US and Europe. In this shop (and numerous like it), everyone pretty much started at the *very* bottom as runners. Basically cleaning studios, picking up and serving lunch, etc. to the clients. Pay was crap, we're talking $7/hour in Manhattan and Chicago less than 10 years ago. These people did this job just for the *chance* of helping the assistant editors out after their normal 8-hour with mundane tasks like digitizing video and sorting beta tapes. Those that persevered, made a lot of friends, and had a good personality, would eventually be hired as an assistant (also grossly underpaid, but they were at least at 30-40k/year). Three to five years at that, if you had talent, you might become an editor. If you didn't, you were stuck.
This anecdote likely isn't perfectly relevant in Singapore, but if that was the pay in NYC, London, LA, Chicago, etc. I can't imagine how bad it would be here. Now, this was a highly creative place, they win dozens of awards at Cannes every year, edit a sizable portion of the commercials Americans see during the Super Bowl, etc. So such a creative place also just may not exist here either.
BULLS**T! If that was the case, why'd you go back and edit your original post 11 minutes after reading the OP's last post? Who are you trying to kid. You got called out good and proper.urbanjungle101 wrote:On my latest post, I wasn't following up to anyone's comment at all.
I was instead addressing in general the pathetic delusional state of candidates from certain asian states who failed to comprehend the high-standard of quality demanded here and yet lamenting about lack of opportunities.
Remember, employment permits or passes exist for the purpose of importing either talented professionals or personnel to fill lower rung jobs that locals shun.
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